Series 33. Pure Kolinsky Sable. Size: 3/0 £2.95 Series 33. Pure Kolinsky Sable. Size: 2/0 £3.00 Series 33. Pure Kolinsky Sable. Size: 0 £3.05 Series 33. Pure Kolinsky Sable. Size: 1 £3.10
Back in September, after a recommendation from several painters on the Lead Adventure Forum, I decided to try out some of Rosemary's series 33 Pure Kolinsky Sable Brushes. For the last twenty years I've been using synthetic brushes and been happy doing so.
I
tried, from time to time, to use sable brushes but could not find any
that would keep a point, or in some cases, even had a point to begin
with so I soldiered on with what I was used to accepting that they
would curl after I'd used them for a dozen or so miniatures and would
need to be replaced. I consoled myself that each size 0 synthetic brush
only cost around £2.00 as opposed to a Winsor and Newton Series 7
brush (the ones most often mentioned as being the best) which could
cost over £15.00 (although nowadays, thanks to the internet and online
discounts, you can find them for around £6.00).
I used to spend between £60 and £90 a year on brushes.
Well, I switched five months ago to the set of brushes listed above that cost me a total of £13.10 including postage. I also bought some brush soap that cost £5.00 making a total investment of under £20.00.
So
far I've painted around two hundred figures with my Rosemary brushes
and they are still as good as new. They keep their points and hold a
decent amount of paint, I really can't emphasise enough how much better
they are than synthetic brushes and I urge you to buy at least one to
have a go yourself.
The
brush soap is a necessary purchase so you can clean your brushes at the
end of a painting session properly and ensure they stay in good
condition. I got mine from Antenociti's Workshop.
Rosemary's series 33 Pure Kolinsky Sable Brushes Top Marks!!
New Painting Lamps
I've just upgraded my painting area with the addition of some new lights.
I
used to use a couple of fluorescent tube lights from Argos which cost
about £15.00 each and gave a wide but not particularly strong spread of
light. I augmented these with a standard angle poise lamp holding a
100w daylight bulb.
Usually
I'd have less than all the lights working. The first to go would be the
100w daylight lamp because it was only supposed to hold a 60w bulb and
the extra heat perished the plastic bulb holder and rendered the lamp
useless in a very short time.
The
Argos lamps would droop because the size of their bulb holders put too
much strain on the cheap joints and eventually I wouldn't be able to
get the light to shine where I wanted it.
For ages I've had just a single Argos lamp working. Well, enough was enough, and a recommendation from Redzed on Frothers led me to UKR Design and their range of lamps and bulbs.
Following
the advice I was given I ordered a pair of 01B desk lamps and a pair of
32w Low Energy Saving Compact Fluorescents to go with them. Total price
including delivery: £45.33.
I received an email from UKR Design
saying I'd ordered the wrong bulb fittings for the lamps and that
they'd changed them before sending my order which was extremely nice of
them. A day later the parcel arrived.
Fitting
the lamps to my work area was very quick and simple. They are sturdy
lamps with good springs that hold the arms in the positions you put
them which already makes them better than the Argos lamps. The bulbs
give me the equivalent amount of light to 320w of normal bulbs but
don't add the intense heat and won't damage the holders.
As
a final improvement each lamp has a switch on the cable not on the top
so there's no fiddling about trying to find a top switch to extinguish
the red hot light at the end of a painting session which usually led to
the light being pushed out of position too.
My new set up cost less than my old set up, takes less power, adds more light and generates much less heat. I'm happy.
Next time you're buying a new bulb or lamp, consider going the whole hog and take a look at what UKR Design have to offer.
UKR Design lamps and bulbs Top Marks!!
Israel’s Lightning Strike, The raid on Entebbe 1976
Author: Simon Dunstan Illustrators: Ian Palmer, Peter Dennis and Mariusz kozik
64 pages, softback ISBN 978-1-84603-397-1 £11.99/ $18.95
This is the second title in Osprey Publishing’s Raid series.
Having
just done some cursory research into the Entebbe raid, or Operation
Yonatan as it is now known, I was thrilled to be sent this book from
Osprey. I could have really used it when I was building my Entebbe
airport as it contains information and photos of the buildings that I
didn’t have. There is also a nice looking cutaway drawing of the old
terminal and control tower buildings that would have helped me.
The
text is concisely written and packs quite a bit of subject matter into
a low page count. This book follows the standard Osprey remit of being
an introduction to a subject with the option given to read up further
if you’re interested. As is usual with osprey publications there are
many photographs of the people and places involved throughout. From a
wargamer’s point of view there is enough meat for this to be a one-stop
reference. The bibliography lists eight more publications if you want
to read up further.
The book opens with an overview of the
history of aerial hijacking at the end of which is a two page spread
that does a good job of explaining Palestinian paramilitary groups.
Although this is a subject with serious ramifications this section
reads like the gladiator scene from Life of Brian reeling off a list of
the PLO splinter groups, each with ever more ludicrous names and
mutually exclusive aims and ideals.
Once the background has been
established we get to the meat of the book. In the first chapter the
hijacking of Air France flight 139 is recounted in detail with a
section devoted to each of the first five days. Some of the margins
contain hourly timelines for each day showing exactly when significant
events happened.
Chapter two switches the focus and the details
of the next two days at Entebbe are interspersed with a description of
the Israeli rescue plans that were being formulated at that time. This
chapter contains a single colour plate showing an Israeli paratrooper
uniform and a second paratrooper disguised in a Ugandan uniform
(luckily the Israelis had lots of these as they’d made them
originally). This painting isn’t great but it’s functional, a back view
would have been nice but it’s adequate as a painting guide.
Chapter
three recounts the rescue operation itself. As well as the written
description of events there is a good map of the airport, two isometric
3D maps of the operation with added close ups of important parts, the
cutaway drawing I mentioned earlier and a map of the area showing the
flight to and from that the Hercules transports took.
There is
also a two page painting showing the assault going in with Lt Col
Netanyahu, the Israeli commander, being shot. This isn’t much good from
a figure painting point of view as it’s a night scene so the colours
are distorted and actually isn’t a very good painting either, It lacks
impact and has no focus as it tries to show the whole scene
encompassing several groups of attackers doing different things and
takes liberties with the timing of events so it can show them all in
the same picture.
Two separate pictures would have been a better
use of the space I feel, one showing the first raiders encountering the
terrorists and another showing the fatal wounding of Lt Col Netanyahu.
However, this doesn’t detract from the usefulness of the book but nor does it add to it which is a shame.
The
book ends with an aftermath section that recounts what happened after
the raid and updates us on some of the participants followed by a
bibliography and an index.
Generally it’s a good read and
probably worth the money. There are some problems however that prevent
this being among Osprey’s best. There are several references to Ma’alot
massacre with no explanation as to what it was. It isn’t until several
pages after it’s first mentioned that a brief explanation appears in a
picture caption, if you’re just reading the text and miss this it
becomes very annoying a this mysterious Ma’alot is referred to quite a
bit.
This niggling annoyance pales into insignificance when
compared to the 3D isometric maps. These are the focal point of the
book; they each cover a double page spread and show the raid’s progress
in detail with arrows and notations etc, a familiar sight to anyone who
owns an Osprey campaign title.
Well, that is, they should show
the raid’s progress in detail with arrows and notations but some bright
spark decided that because the raid happened at night they should be
painted in night colours. The brightest colour on them is dark blue!
This, coupled with the reflections from the glossy paper and the page
join running through some of the notations, makes them all but
illegible. One map is mislabelled too which adds insult to injury.
If
these had been done clearly Israel’s Lightning Strike would have been
an excellent book that I would happily recommend to anybody even
remotely interested in the events at Entebbe. As it is the book loses a
lot of its impact and falls short of expectations, a real shame.
Israel’s Lightning Strike, The raid on Entebbe 1976